Tjaša is the Founder and Artistic Director of Transforma Theatre Inc., dedicated to creating interactive theatre experiences at the nexus of science, consciousness and ritual. She is the creator of The Female Role Model Project blending interactive theatre with neuroscience produced on Off-Broadway at the premier Art and Tech Center 3-Legged Dog, in New York in November 2018. They were also featured at the Ammerman Biennial of Arts and Technology 2018. She is the creator of a short film Ophelia’s Flip (Cannes Film Festival, 2012), a farce hit Cocktales-Confessions of a Nymphomaniac (The Cell, Abingdon Theatre, Art Basel Miami), an interactive solo show, Wild Child in the City, and a new play My Marlene. Wild Child In The City premiered in NYC (TheaterLab), filled houses on European Tours and received an Audience Choice Award at 46th TSD-Week of Slovenian Drama. Wild Child won a grant from Trust for Mutual Understanding for a tour at ITI-UNESCO MonoAkt festival in Kosovo, winning a Special Jury Prize, and “Northern Meetings” in Siberia. In Dec 2016 Ferme created a devised theatre piece about migrations West to West through the lens of the current refugee crisis in coproducion of Skogen, Sweden and Maska, Slovenia. Tjaša Ferme is a Slovenian National Film Award and Stane Sever classical stage award recipient. Interview on Huffington Post Arts & Culture huff.to/1DgoZ1Q New York Times review: nyti.ms/1J9yBEh more on her website tjasaferme.com. Currently her BCI video game on gender identity is being developed at City Tech, CUNY as a Tech Spring Production.
Melissa works as a freelance director, collaborator, performance artist, and dramaturg in New York and Houston. She is currently the associate director and dramaturg for Richard Schechner’s piece in development, Dark Yes. For her own projects she is in the process of creating a two year collaboration with documentarian artist Naty Technicolor called Dispensado- an activist performance about land/feminism/ownership. Melissa has also worked as the Director of Communications at Luciole International Theatre Company. As a dramaturg, she works at Wordsmyth Theatre Company and has served as the Literary Assistant at the Alley Theatre. She runs a training group that spans both Houston and NYC called Basic 6. Her directing credits include: Masseur at Theatre for the New City, The Adventures of Sherlock Holmes, Cassandra at Mildred’s Umbrella, A Doll’s House at Classical Theatre Company (assistant director), Big Love at Theatre B in Fargo, Roadside, Milo and Barbara, Caleb, and Vigils. She has also served as assistant director at Classical Theatre Company for A Doll’s House, Ghost Sonata and Mrs. Warren’s Profession as well as The Vibrator Play at Stages Repertory Theatre, and Hot L Baltimore at UH. Her performance/devising credits include Here Now at the Martha Graham Studios in New York, Things Missing/Missed and Hypocrite at Obsidian Theatre. Her performance art credits include: Dispensado, Pangea, John Cages’s Lunch and Dinner, Black Hole, and My Blog with Some Google Searches. Her other dramaturgical credits include: Hamlet, and Comedy of Errors at the Houston Shakespeare Festival.
Melissa has devoted her career and scholarship to avant-garde methods of actor training: Viewpoints and Suzuki. She has trained in various workshops with the SITI Company and in Toga, Japan with members of the SCOT Company. She completed the SITI Conservatory and studied with Double Edge Theatre in Ashfield, MA. She holds a BFA from Baylor University and an MA in Dramaturgy from the University of Houston.
Jacques Sebag was born in Marrakech, Morocco and moved to the United States as a teenager. Although always a passionate student of acting, the realities of life interfered and he became a successful lawyer and devoted father. While stage and film have always been his passion, until recently he honed his theatrical skills in court. Jacob has been practicing law for thirty years. Prior to forming Jacob Sebag & Associates, P.C., Jacob was the founding partner of the Law Firm of Ochoa & Sebag, P.C. (1983-2005). As a seasoned attorney, Jacob brings his entrepreneurial skills and business perspective to his U.S. based and international clients' real estate and corporate ventures. His fluency in five languages greatly enhances his ability to help his culturally diverse clients realize their goals. An innovative and pragmatic problem solver, Jacob counsels his clients on all legal aspects of building and growing a business. In corporate matters and in the hospitality industry, Jacob specializes in acquisitions and business development. In residential and commercial real estate, he advises clients throughout the planning, financing and development phases of the transaction. In addition, Jacob is a licensed Real Estate Broker in New York and Florida. In 2005, Jacob portrayed the French Ambassador in Sidney Pollack's worldwide film release “The Interpreter” which opened the Tribeca Film Festival. Mr. Pollack found in Jacob a certain look, talent and passion and cast him for his last film. Jacob’s featured role is in the only scene in film history shot in the United Nations Security Council. Jacob merges his artistic, business and legal experience to bring a unique competence to his negotiating and drafting contracts specific to the needs of artists and professionals in the entertainment industry. He is also a proud member of SAG/AFTRA and a graduate of the American Academy of Dramatic Arts.
Des currently works at JP Morgan Chase in the markets division where he’s been exposed to many different international transactions. He’s been involved in raising funds for nonprofits since a young age through his family nonprofit organization. He’s passionate about redefining the idea of capital as a nurturing tool for creative ideas rather than a need without purpose, and has become one of the largest angel fund investors in Wavepaths; a UK based startup facilitating transformative journeys with the help of self-generating music. Des is a Phi Beta Kappa graduate from Johns Hopkins university with a double degree in Economics and Statistics.
Director - Called “one of the reigning queens of New York’s highly intimate, one-shot-only, conceptual-based theater” by the NYC critic Randy Gener, Ana Margineanu is a Romanian-born theatre director based in New York and a co-founder of PopUP Theatrics, an acclaimed group developing and presenting site-specific and immersive work throughout the world. The trademarks of her directorial approach are close cooperation with the local communities who are audiences for her work, highly metaphoric visual style, and ability to draw raw, visceral performances from her actors. Ana’s shows received numerous international awards, including: New York Innovation Theatre Award (The Window), Best Play Relationship Drama at London Fringe Awards (The Sunshine Play), Best Show at Romanian Drama Festival (Eighty nine), The Jury Award for Innovation at the Contemporary Drama Festival (Eighty Nine, Our Daily Hunger, Inside). She is a founding member of DramAcum( directors collective that supports young Romanian playwrights), an alumna of Lincoln Centers Directors Lab and founding member of PopUP Theatrics.
Kacinik is an Associate Professor in Psychology at Brooklyn College and CUNY Graduate Center. She has Bachelor’s and Master’s degrees from the University of Western Ontario, and completed her Ph.D. at the University of California, Riverside. Prior to her position at Brooklyn College, she also worked as a postdoctoral researcher and lecturer at the University of California, Davis. Her research examines how the mind and brain process language, ranging from individual words, to sentences, discourse, and figurative expressions like metaphors, idioms, and irony. She is also particularly interested in studying how our conceptual representations and processes are grounded in perceptual, motor, and cultural experiences (i.e., embodied cognition). Her work has been published in the Journal of Psycholinguistic Research, Neuropsychologia, Brain and Language, Psychological Science, Emotion, Frontiers in Human Neuroscience, in addition to coverage by the media (New York Times, Wall Street Journal, Washington Post, Scientific American, Huffington Post, Psychology Today).
- Victoria is an international media professional, with more than 15 years of experience working for various media in Europe, including the Financial Times and BBC. She is the CEO of V Startup Agency, the communications consultancy for international tech startups and innovative organizations in the U.S. During three years before co-founding the agency Ms Zavyalova has been working as the science & tech editor, covering startups, new AI developments, blockchain and space exploration. In this position, she was also responsible for the startup rating, featuring 50 most promising young tech companies. Ms Zavyalova obtained her MA in Creative & Media Enterprises from the University of Warwick in the UK.
Founding Artistic director of the cell. Nancy is a lyricist, playwright and producer. Writing credit include: Sin!; Rio, a Brazilian musical novella (Theatre for the New City); and Dinner and Delusion, an opera co-written with composer Michael Sahl (The Center for Contemporary Opera/New York city Opera’s VOX Festival). Her passion is for the arts and her dream is the cell, a 21st century salon.
Having recently retired after 30 years working as a prosecutor with the Manhattan DA’s Office, Meggan is now actively using her CUNY MA in Applied Theatre to create theatre for social change. She has been part of The Female Role Model Project since its inception. Meggan is also an ensemble member of Honest Accomplice Theatre, a company dedicated to devising theatre through the lens of women and trans people, and an ensemble member of PopUP Theatrics, performing in their site-specific immersive works Broken City: Wall Street and Inside. In addition, she writes, directs and devises with EPIC Players, a neuro-inclusive theatre company whose participants are primarily individuals with developmental disabilities.
Collaborator/Cast - NYC by way of St. Kitts/Nevis, has a degree in music education, and vocal performance, from Clarke University, in Dubuque Iowa. Her theater credits include; Off Broadway: Users(firstname.lastname@example.org), Treasure Island the Musical (Meg, pirate). Regional: Priscilla Queen Of The Desert (Diva), Henry Box Brown (Nancy), Queen Kunka Bunka and the Rotten Royal Rascals (Chatterina), The Nun Before Christmas (Sr. Wendy), The Full Monty (Estelle), Little Shop Of Horrors (Crystal), High School Musical (Taylor McKessie) Oklahoma (Vivian/ensemble), Why Do Fools Fall In Love? (Sally), Jesus Christ Superstar (ensemble), and Grease (ensemble). Gina is delighted to be a part of this amazing project, and honored to work with such an inspiring group of women. Thanks so much to MCS theater, and to my family, and close friends for their constant encouragement, and support.
Sabrina Sng is a physical performer and performance maker from Singapore. As a recipient of the Undergraduate Arts Scholarship by the National Arts Council of Singapore, she received her Bachelor of Fine Arts (Honors) in Theatre Arts from New York University's Tisch School of the Arts in 2016. The focus of her training was in the Experimental Theatre Wing, where she was awarded the Outstanding Studio Award by the Tisch Drama Department. She continued her training at the SITI Conservatory 2016-2017. My practice wrestles with the intricacies of cultural identity, as well as with what it means to be a woman in performance and performance making. I wish for the work's accessibility within its unconventionality, and aspire to collaborate with people with whom we can navigate together.
Roc Morin is a journalist, photographer, and filmmaker based in San Francisco. He is the curator of the World Dream Atlas, a collection of dreams from around the globe, and a dedicated lucid dreamer. Roc was a former EMT for the Fire Department of New York, a psychology professor at The City College of New York, a war correspondent in Iraq, Afghanistan, and Ukraine/DPR. His most recent work includes a role as the producer for a Werner Herzog film based on a story of his.